August, 2003:
constantly accumulating
I don't have to look
for objects - they find me. Much of it is desk clutter, or items
stashed away in rarely opened drawers. Often they're out of sight,
though I know they're there. This never ending accumulating doesn't
threaten me, though it does become exasperating when for every object
that I succeed in throwing out two or three new ones always appear
to take its place.
Some of these objects have stories to tell, and of course the longer
I hold onto them the more there is to tell - even if at first it
was little more than a banal story. Now it's a banal story enhanced
by nostalgia.
This year started out as an attempt at reporting on objects that
are in some way meaningful to me, either through a tangible essence,
or simply because through reflecting upon them they acquire meaning.
Throughout the year I felt compelled to continually ask myself whether
I was reporting on my activities of accumulating, or whether the
fact that I'd chosen to report on the act of accumulating was causing
me to always be on the lookout for something to report.
There's no clear answer to that question. At some point collecting
and reporting become intertwined, such that distinguishing which
came first is close to impossible.
And though it may not seem that way, my pockets are still filled
with objects that could merit their own fifteen minutes of fame.
I simply haven't yet found the proper way to spotlight them. Still
others, sometimes after a lengthy period of indecision have actually
found their way to the waste basket before they ever achieved recognition
in these pages.
In numerous ways, this project has become a great equalizer, allowing
both the simple and the exalted equal footing. Perhaps it should
also be regarded as a great banalizer - objects, after all, are
just objects, even if originally they held real meaning. I may attempt
to preserve some of that meaning within these pages, but ultimately
they simply look back at us and force us to do all the work.
As this first year draws to a close, more and more objects have entered
the queue and are awaiting their turn. They are a strange mix - some
hold solely personal meaning, others tell stories that spring from
public events. The stage offered here to an almost random collection
of objects lets all of them coincide and intermesh. What binds them
is the fact that they were accumulated during the year, a year during
which I thought I might actually free myself from some of them.
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